Blessed are the Undone: Testimonies of the Quiet Deconstruction of Faith in Canada, Angela Reitsma Bick & Peter Schuurman. Foreword by Neal DeRoo. New Leaf Press, 2024.
Available at: New Leaf Press
Blessed are the Undone: Testimonies of the Quiet Deconstruction of Faith in Canada, Angela Reitsma Bick & Peter Schuurman. Foreword by Neal DeRoo. New Leaf Press, 2024.
The T&T Clark Handbook of the Doctrine of Creation provides an expansive range of resources introducing the doctrine of creation as understood in Christian traditions. It offers an examination of: how the Bible and various Christian traditions have imagined creation; how the doctrine of creation informs and is informed by various dogmatic commitments; and how the doctrine of creation relates to a range of human concerns and activities.
The Handbook represents a celebration of, fascination with, bewilderment at, lament about, and hope for all that is, and serves as a scholarly, innovative, and constructive reference for those interested in attending to what Christian belief has to contribute to thinking about and living with the mysterious existence named 'creation'.
Find it on: Square Halo Books
Over forty writers celebrate Square Halo’s twenty-fifth anniversary with essays on such topics as knitting, home repair, juggling, traffic, pipes, chronic pain, pretzels, and naps.
1. Clare Carlisle – “What is Spiritual Practice”2. Christina M. Gschwandtner – “Why Philosophy Should Concern Itself with Liturgy: Philosophical Examination of Religion and Ritual Practice''3. John Cottingham – “Engagement, Immersion, and Enactment: The Role of Spiritual Practice in Religious Belief”4. John Sanders – “Liturgical Jellyfish”
5. Michelle Panchuk – “Power and Protest: A Christian Liturgical Response to Religious Trauma”6. Bruce Ellis Benson – “Religion as a Way of Life: On Being a Believer”7. Terence Cuneo – “Blessing Things”8. Kevin Schilbrack – “Liturgical Groups, Religions, and Social Ontology”
9. Neal DeRoo – “Material Spirituality and the Expressive Nature of Liturgy”10. Wendy Farley – “Dark Times and Liturgies of Truth: The Uses and Abuses of Reason”11. Sharon L. Baker Putt – “Compassionate Action: Taking Eckhart, Farley, and the Beguines to Bethany”12. Emmanuel Falque – “After Metaphysics?: The 'Weight of Life' According to Saint Augustine”
13. Nicholas Wolterstorff – “Knowing God by Liturgically Addressing God”14. Sarah Coakley – “Beyond Belief: Liturgy and Cognitive Apprehension of God”15. Joshua Cockayne – “Corporate Liturgical Silence”16. Brian A. Butcher – “'You Have Given Us the Grace to Pray Together in Harmony':Orthodox Liturgical Singing as a Criterion for (Philosophical? Theological?) Aesthetics"17. J. Aaron Simmons and Eli Simmons – “Liturgy and Eschatological Hope”
"De aureool van de menselijke verbeelding" (pp. 169-192), and "De betekenis van de kruisiging: Grünewald en Perugino" (pp. 193-7) by Calvin G. Seerveld
"Calvijn en kunst: zuivere visie of blinde vlek?" (pp. 51-60), "Kunst, lichaam en gevoel: Nieuwe wegen voorde calvinistische esthetica," (pp. 253-271), and "Chris Ofili: Hedendaagse kunst en de terugkeer van religie" (pp. 272-278) by Adrienne Dengerink Chaplin
Find it on: Buijten & Schipperheijn
Kunst D.V. is a handsome, hefty volume (374 pages, untranslated) in the Dutch language. After a succinct introduction there are four sections. The editors and Adrienne Dengerink Chaplin explicate the roots of the Calvinian faith-thought tradition toward the arts found in Jean Calvin, Abraham Kuyper, and Dooyeweerd. Then Hans Rookmaaker, E. John Walford and James Romaine exemplify how art history can be done in a perspective sensitive to a Christian world-and-life vision. Calvin Seerveld, Nicholas Wolterstorff, Lambert Zuidervaart, and Adrienne Dengerink Chaplin show how their communal focus on aesthetic theory can contribute to understanding imaginative and artistic realities. Finally the "theology of art" tack is introduced by Wessel Stoker, William Edgar, and Victoria Emily Jones. The many colour reproductions are of excellent quality, the notes are substantial, and various of the authors take issue with the characteristic ideas of the other writers for a lively, open-ended, up to date introduction to the important contribution made by thinkers regarding art and aesthetics in the line of Reformational Christian philosophical reflection.